
Soprano
"A voice whose ethereal beauty hangs in the air like the delicate crescent moon"
"Her lovely ethereal silvery voice seeming to hang in the air like the delicate crescent moon just rising"— Oxford Prospect Arts✦
"She takes the opportunity to show off her excellent coloratura skills. Her singing displays clarity and agility"— Opera for All✦
"Chae has considerable vocal stature and her confident, crystalline negotiation of Salieri's curlicues impressed"— Opera Today✦
"Sarah Chae as the Marchioness revealed an extremely warm and nuanced voice"— Music OMH✦
"The luxurious legato phrasing and lyrical beauty... Chae delivered beautifully"— Planet Hugill✦
"Full of vocal fireworks performed with a thrilling tone"— British Society for 18th-century Studies✦
"A top-class coloratura, combining lightness with impressive high notes and vocal agility, and outstanding stage presence"— Der Opernfreund✦
"Sarah Chae embodies the role of Satanella as a bel canto piece par excellence"— Neue Musikzeitung✦
"Chae sings it divinely. The cantilenas in her mid-range, ideal for Bellini, suit her beautifully"— Concerti✦
"The fascinating South Korean soprano Sarah Chae displays impressive command in the high register"— Die Deutsche Bühne✦
"Her lovely ethereal silvery voice seeming to hang in the air like the delicate crescent moon just rising"— Oxford Prospect Arts✦
"She takes the opportunity to show off her excellent coloratura skills. Her singing displays clarity and agility"— Opera for All✦
"Chae has considerable vocal stature and her confident, crystalline negotiation of Salieri's curlicues impressed"— Opera Today✦
"Sarah Chae as the Marchioness revealed an extremely warm and nuanced voice"— Music OMH✦
"The luxurious legato phrasing and lyrical beauty... Chae delivered beautifully"— Planet Hugill✦
"Full of vocal fireworks performed with a thrilling tone"— British Society for 18th-century Studies✦
"A top-class coloratura, combining lightness with impressive high notes and vocal agility, and outstanding stage presence"— Der Opernfreund✦
"Sarah Chae embodies the role of Satanella as a bel canto piece par excellence"— Neue Musikzeitung✦
"Chae sings it divinely. The cantilenas in her mid-range, ideal for Bellini, suit her beautifully"— Concerti✦
"The fascinating South Korean soprano Sarah Chae displays impressive command in the high register"— Die Deutsche Bühne✦
South Korean soprano Sarah Chae has performed in a diverse range of traditional and contemporary repertoires. Recent engagements include her 2025 role as Frasquita in Carmen at the Immling Festival. In 2024, she appeared as Lesbia in Bampton Classical Opera's L'isola d'Alcina and in the title role of Balfe's Satanella at the Erzgebirgische Theater in Germany, where she also made her debut as Queen of the Night in The Magic Flute.
In 2023, she sang Calloandra in the UK premiere of Salieri's La fiera di Venezia with Bampton Classical Opera and covered Violetta in La Traviata with Oxford Opera. Elsewhere, she has appeared as Vixen in The Cunning Little Vixen, Coraline in Turnage's Coraline at Staatstheater Saarbrücken, Musetta in La Bohème, and Lucia in Britten's The Rape of Lucretia at Hochschule für Musik Saar.
As a Young Artist with the National Opera Studio (NOS) in London, Sarah was cast by Welsh National Opera in scenes from Handel's Semele as Iris, Norina in Don Pasquale, Nanetta in Falstaff, and Giulietta in I Capuleti e i Montecchi. In partnership with Scottish Opera and NOS, she performed Mademoiselle Silberklang in Der Schauspieldirektor and Zerbinetta in Ariadne auf Naxos.
In 2025, Sarah was selected as a Samling Artist, joining the highly competitive UK-based programme renowned for its intensive mentorship, artistic development, and performance opportunities with leading musicians and coaches.
Concerts include performances as Soprano in F. Mendelssohn-Bartholdy's Lobgesang and in Bach's Matthäus-Passion at the Stiftskirche St. Annual, where she regularly performs as part of her artistic portfolio.
Samling Artist
Selected for the highly competitive UK-based programme renowned for intensive mentorship and artistic development
International Recognition
Richard Wagner Scholarship (Bayreuth), III European Competition Turin, Gabriela Beňačková Competition
Hochschule für Musik Saar
Bachelor's (2018), Master's (2020), Konzertexamen (2023). Erasmus at Luigi Cherubini Conservatorio, Florence
World-Class Mentors
Deborah Polaski, Mariella Devia, Vesselina Kasarova, Alexander Corbelli, and more
2023
Special Prize — 16th International Vocal Competition Gabriela Beňačková, Jihlava
2021
Third Prize — III European Competition, Turin
2019
Richard Wagner Scholarship — Bayreuth
2019
Special Award — Stara Zagora State Opera
Upcoming and recent performances across Europe's finest stages
For booking inquiries and availability
Contact for EngagementsFrom the ornate coloratura of bel canto to the emotional intensity of contemporary opera, Sarah Chae brings depth and authenticity to every role.
Frasquita
Carmen
Immling Festival · 2025
Queen of the Night
Die Zauberflöte
Erzgebirgische Theater · 2024
Satanella (Title Role)
Satanella
Erzgebirgische Theater · 2024
Lesbia
L'isola d'Alcina
Bampton Classical Opera · 2024
Calloandra
La fiera di Venezia (UK Premiere)
Bampton Classical Opera · 2023
Zerbinetta
Ariadne auf Naxos
Scottish Opera / NOS
Mlle. Silberklang
Der Schauspieldirektor
Scottish Opera / NOS
Iris
Semele
Welsh National Opera
Norina
Don Pasquale
Welsh National Opera
Nanetta
Falstaff
Welsh National Opera
Violetta (Cover)
La Traviata
Oxford Opera · 2023
Vixen
The Cunning Little Vixen
Coraline
Coraline (Turnage)
Staatstheater Saarbrücken
Musetta
La Bohème
Lucia
The Rape of Lucretia
HfM Saar
Giulietta
I Capuleti e i Montecchi
Welsh National Opera
Capturing moments of artistry on and off the stage
Experience the artistry of Sarah Chae through performances and recordings
Recent Appearances
RNA TV Talk Show - Part 1
2026.03.08
RNA TV Talk Show - Part 2
2026.03.08
Sarah Chae Performance
Recent
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Europe
For management inquiries, please contact via email.